Don Presley Delivers “Fresh to Market” European, Asian and American Art for His May 7-8 Auction

FOR IMMEDIATE RELEASE

Date of Release:  April 26, 2011

                             

Chinese ivory, German tankard and a fine collection of furniture from upscale estates are part of this 1,000 lot May Auction.

ORANGE, Calif. – There probably isn’t a stretch of highway between Beverly Hills and Newport Beach that auctioneer Don Presley doesn’t know. That’s his turf, and when the owners of fine estates in those well-heeled communities decide to part with their art and antiques, it’s often Presley whose number they call on speed dial. True to form, the Orange, Calif., auctioneer has gathered together an outstanding array of primarily European, Asian and American art and antiques for his May 7-8 auction, with much of it coming from prestigious local addresses.

A Beverly Hills consignor was the source for a pair of superb, 30-inch-tall Chinese carved-ivory emperor and empress figures. “The carving is fantastic, and I’ve never seen ivory figures of this type in such a large size,” said Presley. The star lot amongst 250 Chinese antiques cataloged in the sale, the marked figures will be offered as a pair with a $6,000-$10,000 estimate.

A heavily carved 19th-century ivory and gilded-silver German tankard is very similar in style to the 17th-century drinking vessels made in the Bavarian city of Ausberg. “Those earlier tankards are held in distinguished collections, including those of the Victoria & Albert Museum and Bunratty Castle in Ireland. They were made for kings and nobles.” The example in Presley’s sale is profusely carved with images of mythological and other characters. The finial depicts a Native American draped in a bearskin, with a powder horn, tomahawk and shield. Overall, the tankard stands over 20 inches tall. It is expected to bring $15,000-$25,000.

In Presley’s last sale, bullish prices were paid for Sevres urns, with two of them selling to a Russian buyer. The May 7-8 auction includes a magnificent 40-inch tall, 19th-century Sevres lidded urn with scenes of a finely dressed couple in a garden on one side and a waterfall and mountain landscape on the other. Straight from a Beverly Hills estate and bearing all the proper marks for Sevres, it is estimated at $8,000-$12,000. A second Sevres urn, 17 inches tall and beautifully decorated with winged ladies, carries an identical estimate.

An exquisite gilt bronze 19th-century French clock and candelabra suite features “jeweled” adornments and hand-painted enameling. It came from the same Beverly Hills estate as a very fine silver-over-bronze centerpiece with mirrored base and cut-crystal bowls. Measuring 15½ inches tall by 35 inches wide, it is marked with the quatrefoil for the Sheffield silversmiths Henry Wilkinson & Co. The reserve on the centerpiece is $18,000.

Presley observed that silver “is really rolling at the moment.” In his sale, he has cataloged a 40-piece collection of old silver from a San Bernardino estate that includes tea sets, a Tiffany bowl, an inkwell, a Paul Revere bowl, Wallace flatware and three Georg Jensen pieces. Another silver collection, which came from a Laguna Beach consignor, includes six silver plates with a tray, a sterling inkwell and some very nice Pairpoint triple-plated candelabra. Additionally, there are pieces of German 19th-century .800 silver that were made in the manner of 17th-century silver.

The furniture selection is led by a 95-inch-tall by 72-inch-wide kingwood and ormolu vitrine by Francois Linke, arguably the finest French cabinetmaker of the Belle Epoque period. Linke’s designs were highly influential in their day and were coveted by fashionable French society. The vitrine, which is signed and stamped, is offered with a $60,000-$125,000 estimate. Although unsigned, a small curio cabinet attributed to Linke will be auctioned, as will a small Linke table and bronze 4-light chandelier acquired some years ago at Sotheby’s.

A premier piece of American furniture came from a Newport Beach estate. Made around 1790-1800, the Hepplewhite secretary features glazed double doors with diamond-shape accents opening to triple shelves, over a four-drawer base.

All forms of bidding will be available for Don Presley’s May 7-8, 2011 auction, including live via the Internet through LiveAuctioneers or Proxibid. For additional information, call 714-633-2437 or email info@donpresleyauction.com. Visit Don Presley Auctions online at www.donpresleyauction.com.

CAPTION:

KPM porcelain plaque. Don Presley Auctions image.

 

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Pa. Impressionists, Old Masters, Premier Selections Lead William Bunch’s Fine Art Auction

FOR IMMEDIATE RELEASE

Date of Release:  April 18, 2011

Nearly 400 paintings including premier selections from Philadelphia’s artist’s lifetime collection  and other fine quality works by American and European artists are featured in the May 3^rd auction.

CHADDS FORD, Pa. – The walls at William H. Bunch’s auction gallery are alive with color, in preparation for a Tuesday, May 3 auction of nearly 400 paintings and other fine-quality works by American and European artists. Three primary consignors were the source for the vibrant and varied selection of American Impressionist art – including Bucks County/New Hope School; Old Masters and other Continental pictures; and illustration art.

The single-owner collection of Bucks County/Pennsylvania art features paintings by some of the most collected artists of the genre. Highlights include Bucks County Bridge, an oil-on-canvas winter landscape by Walter Emerson Baum (1884-1956); a dramatic circa-1925 oil-on-board seascape depicting Pigeon Cove, Mass., by George William Sotter (1879-1953); and an atmospheric snow scene of a horse-drawn sleigh entering a covered bridge by Edward Willis Redfield (1869-1965). Redfield’s oil-on-panel painting is titled From Lumberville to Raven Rock and dates to around 1915. It was authenticated by Dr. Thomas Folk, who also documented its trail of provenance.

A highly important New Hope school artwork by Charles Rosen (1878-1950) is titled Delaware Thawing (Delaware Quarries). The 32- by 40-inch oil on canvas is artist-signed and dated “Charles Rosen ’06” and has a long and distinguished history of exhibition, including at the Phillip’s Mill Community Association’s 75th Anniversary Retrospective Art Exhibition of 1983. An exceptional painting that showcases Rosen’s mastery of pastel tones, it is expected to make $100,000-$150,000.

Other Pennsylvania art includes Robert Spencer’s (1879-1931) oil on canvas painted around 1917-18 titled Waterloo Row and S. George Phillips’ (1890-1965) oil-on-board picture from the 1930s titled New England Coast. Auctioneer William Bunch observed that the Pennsylvania art collection “presents beautifully – each painting has been well conserved and tastefully framed.”

An exciting addition to the sale is the collection of illustration art from the living estate of Richard C. Baldwin (b. 1911-). Now 90 years old, Baldwin studied at the Pennsylvania Academy of the Fine Arts in Philadelphia under Walker Hancock and George Harding. Upon the advice of fellow student N.C. Wyeth, Baldwin headed west in his youth to fulfill a dream he harbored. “He boarded a train and traveled to places where he could paint scenes of cowboys, Indians and Mexican culture as witnessed firsthand,” said Bunch. That period of Baldwin’s career is reflected in several paintings to be auctioned on May 3, including the 30- by 46-inch Stage Holdup and the animated market scene measuring 32- by 56-inches and titled Guadalupe, Mexico.

After his sojourn to the West, Baldwin returned to Philadelphia where he worked as a commercial artist for the advertising agency N.W. Ayer. He would subsequently serve as master sculptor and design director for Franklin Mint, working collaboratively with Norman Rockwell on the company’s respected Boy Scout series and Bicentennial medals.

“Richard Baldwin has had a very successful and diverse career,” said Bunch. “When his son called and asked if we would auction his father’s collection, we knew we would see an interesting cross section of art. Mr. Baldwin worked in nearly every medium and was adept in every style he embraced, from Western and commercial art to 1950s street gangster art and even cheesecake.”

Bunch said the most difficult aspect of cataloging the Baldwin collection was placing values on the various works. “There are people out there who definitely known Richard Baldwin’s name, but his art hasn’t appeared at auction; it’s untested in the marketplace. This sale will be a nice opportunity for collectors to buy excellent-quality illustration art at a fair price. Most of the lots are estimated in the $300 to $600 range.”

Another strong component of the sale is the collection of approximately one dozen Old Masters from a long-held Texas collection. An unidentified 17th/18th-century oil on canvas of the Madonna with Child surrounded by cherubs measures 47 by 38 inches and is presented in a heavy, horsehair-reinforced gilt frame. “This is a painting that could easily be on the wall of The Louvre or some other great museum,” said Bunch, who has estimated it at $20,000-$40,000.

Other Old Masters to be offered run the gamut from simple portraits of men in period dress to large, exotic garden scenes painted by a follower of Melchior D’Hondecoeter (Dutch, 1636-1695). Two luxuriant oils created by the latter artist are entered in the sale, each measuring 64½ by 98½ inches. One of the paintings features cockatoos and other tropical birds in its foreground, while the other depicts peacocks and flamingos amid lush foliage, flowers and fruit trees.

“This collection is going to be a real treasure hunt for people who pay attention to Old Masters. Something here is going to catch fire,” Bunch predicted.

A religious-themed highlight from the array of Continental art is Ecce Homo, an oil on canvas of Christ in the Crown of Thorns, painted in the manner of Guido Reni (Italian, 1575-1642). The 20½- by 18½-inch oil on canvas is presented in a heavy molded-plaster gilt rococo frame with an Uruguayan gallery label that reads: “Arts Dorados Artistico.”

British art is led by a Charles Spencelayh (1865-1958) artist-signed oil on canvas, 18 by 14 inches, titled Matchstick Boy. As its name suggests, the circa-1900 painting depicts a young boy – rosy cheeked and dressed in rain gear – peddling a box of matches.

The sale selection is rounded out by several fine bronzes, including an Ignatius Taschner (German, 1871-1913) sculpture titled Young Woman on Bull, and a bronze bust titled Cuauhtemoc, Aztec Ruler of Tenochtitlan, circa 1520-21.

All forms of bidding will be available for the auction, which commences at 12 noon Eastern time on Tuesday, May 3, including live in the gallery, absentee, by phone or live via the Internet through LiveAuctioneers.com and The-Saleroom.com.

To contact the gallery, call 610-558-1800 or e-mail info@williambunchauctions.com. Visit the William H. Bunch website at www.williambunchauctions.com.

CAPTION:

Edward Willis Redfield (New Hope school, Pa., 1869-1965), From Lumberville to Raven Rock, oil on panel, 4½ by 6 inches. William H. Bunch Auctions image.

 

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William H. Bunch

1 Hillman Drive at Route 202 South

Chadds Ford, PA 19317

610-610-558-1800

Fax 510-558-0885

info@williambunchauctions.com

www.williambunchauctions.com